We are proud to reprise Salt Lake City-based choreographer Eric Handman’s highly-anticipated work “Remora” during our 2017 Spring Dance Series. Handman’s “Remora,” a critically-acclaimed “substantial and intensely physical work” first created with GroundWorks in 2015, is rooted in its physicality, the demands of its execution, its complexities and its nuances of timing. Together, these elements
For GroundWorks, 2016 was a year filled with extraordinary creative opportunities including three live music collaborations within the production and presentation of an amazing range of groundbreaking work. From the creation of “Shadowbox” as part of the Violins of Hope Project with the Maltz Museum of Jewish Heritage to our spectacular production of Carmina Burana
For an artist, the experience of initiating his or her own creative ideas and working through their own processes is valuable, regardless of whether or not they feel compelled to continue to choreograph. In GroundWorks’ first-ever Dancer ChoreoLab Showcase, to take place on November 10, company dancers will present new and exciting work. “One
GroundWorks’ first-ever Dancer ChoreoLab Showcase will feature new work created and developed by company dancers. The November 10 event will be an exciting opportunity for our artists to express their individual styles and for audiences to see another side of them. “The experience of initiating their own creative ideas and experimenting with and working through
There is so much that happens in the studio that can only be understood by doing. On Thursday, November 10, GroundWorks DanceTheater will present its first-ever Dancer ChoreoLab Showcase, an informal showing of new work created and developed by GWDT’s dancers. “Fundamental to the GroundWorks creative DNA, our artists are constantly involved with helping to
We were thrilled to open our Fall Dance Series at the Allen Theater at Playhouse Square this past weekend. The program featured two world premieres -- "Chromatic" by our own David Shimotakahara, "Part Way" by Guest Artist Robyn Mineko Williams, and a reprisal of Beth Corning's "At Once There Was a House," first staged by
When Stephanie Terasaki walks into a dance studio, the world is full of possibilities. The 22-year-old California native, who joined GroundWorks in June (taking the place of GWDT’s Annika Sheaff while she is on maternity leave), has particularly enjoyed the company’s creative process – learning new pieces, challenging herself with different kinds of movement, working
While researching music for his new work for GWDT’s Fall Dance Series, Artistic Director David Shimotakahara came across Conlon Nancarrow’s work by accident. Immediately taken by the American composer’s idiosyncratic qualities and unique sound, Shimotakahara knew he found his inspiration. “Within its complexities, [Nancarrow’s] music maintains a sense of humor and, for me, a kind
"Aren't they just marvelous?" Beth Corning asked, referring to our dancers during a recent rehearsal for "At Once There Was a House," her groundbreaking work which will enjoy a reprisal during our Fall Dance Series (the piece first debuted at GroundWorks DanceTheater in 2004). “It’s not about learning a script. It’s about creating each individual dancers
